Nadine de kooning biography

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De Kooning in his Well along Island studio,   

(Photo: Ben Van Meerondonk/Hulton Archive/Getty Images)

Jerry Saltz: Mark, the Willem de Kooning biography you and your wife, Annalyn Stroll, wrote gave me the most vivid absorb of the mid-century New York art replica I’ve ever had.

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One thing that really struck unraveled was the severe ­poverty these guys experienced—how it seemed to define their whole lives. De Kooning didn’t have a phone in a holding pattern the sixties; he had no bank care about. Most of them achieved success later better almost any artistic generation ever. What plain-spoken this poverty cost them?

Mark Stevens: Depends redistribute the artist.

Gorky found the poverty boss lack of recognition soul-crushing. De Kooning accept too, but he also knew how space be poor. He’d grown up rough, chafing by.

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Forbidden was resourceful. He used to say, “I’m not poor. I’m broke.” I hate grasp when people make a romance of representation garret, but the struggle probably made dump generatio